Showing posts with label parish. Show all posts
Showing posts with label parish. Show all posts

Thursday, June 16, 2011

And once again,

A demo of the organ at my Parish, Our Lady of Lourdes. I love this because you can hear the 16' Pousaune + 32' Contrebasse combo that works so well. You can also hear the 32' Contrebombarde in the processional hymn, as well as the chamades.

See, even if the church building was built awkwardly and without an organ in mind, the one that's there now works fine.

Sunday, June 12, 2011

Ritual Notes.

Not much to comment on. Sadly, our choir director was out of own, so no choral music.

Still the music was lovely: Veni Creator, Come Holy Ghost, Come down o Love Divine, and some nice pieces by Bach to boot. (The second movement from the first organ trio sonata- one of my favourites, (BWV 525. We got the first and third movement last Sunday) and Bach's hymn-prelude on Veni Creator Spiritus. (Bwv 667)

Monday, May 2, 2011

Even though no one here is interested,

I said I was going to re-do it. Even if it took me a whole year to actually upload it. I did Narenza too, I'll link to it when it's done.

OH YEAH BABY,JUST LISTEN TO THOSE CHAMADES. :D

Sunday, April 17, 2011

Liturgical and music Schedule for Holy Week, 2011


Our Lady of Lourdes Parish, West Philly.

MAUNDY THURSDAY

Solemn mass, the maundy, and procession to the altar of repose at 7:30 PM

Entrance: Lift High the cross (Crucifer)

Kyrie and Gloria: Simple, after organ improvisation, organ is silenced till the vigil.

Psalm: Mode VIII
Acclamation: After mass XI

Mandatum:
Proper antiphons from the Roman Gradual
Antiphons for the Maundy, Gregory A. Glenn

Offertory:
Ubi Caritas, M.Durufle
As Thou at Thy First Eucharist Didst Pray (Unde et Memores)

Sanctus: Simple chant.
Agnus Dei: David Isele, Holy Cross mass (In four parts)

Communion:
Psalm with antiphon, Simple Gradual.
Panis Angelicus, Palestrina

Procession: Pange Lingua Gloriosi

Stripping of the altars: Antiphon 'Diviserunt' with psalm 21, monotone. (Tenors and basses)

GOOD FRIDAY:
Mass of the Presanctified at 3:00 PM

Psalm: Mode 2d
Gradual: Christus Factus est, Felice Anerio
The Passion: Tomas Luis de Victoria
Veneration of the cross:
O Crux Ave Spes Unica (Palestrina)
Improperia, Victoria
Crux Fidelis (Chant)
If needed: Sing, my tongue, the glorious battle.
Procession from the altar of repose:Adoramus te Christe, Palestrina
Communion:
Crucifixus for 8 voices, Antonio Lotti
Ave Verum Corpus, William Byrd.

EASTER VIGIL:
Vigil and first solemn mass of Easter at 8:00 PM

Psalms and canticles after the readings:The Canticle of Moses, sung to the gregorian tone 2.d. The Canticle of Isaiah, sung to tone 8.c. Psalm 19, sung to tone 2.d Psalm 42, sung to tone 7.d.

Gloria: Mass in B flat ('Little organ mass'), Franz Josef Haydn

Alleluia:Roman Gradual and psalm 118 in English.

At the baptisms: Faith,Hope, and Love, Alexander Peloquin.

Renewal of baptismal promises and sprinkling: Sicut Cervus, G.P. da Palestrina

Offertory: Cantique de Jean Racine, Gabriel Faure.

Communion:
Proper antiphon and psalm,

Hymn: The Strife is O'er,
Ego sum Panis Vivus
, Josef Surzynski.

Antiphon to Our Lady: Regina Caeli, Gregor Aichinger

Recessional: Jesus Christ is Ris'n today.

Postlude. Worthy Is the Lamb (Handel, adapted from The Messiah)

Thursday, April 14, 2011

Tenebrae.


The office of Tenebrae will be sung at 7:00 pm AT Our Lady of Lourdes Catholic church using the traditional Roman rite.(Yeah, the one before John XXIII got his hands on the breviary and ruined things.) It will be sung with parts in Latin and parts in English.

The church is easily accesable by public transportation ( The 105,65,46 and G buses are nearby, as well as the 10 trolley and the R5 Paoli/Thorndale line on the train.) There is also a parking lot behind the parish school.

Thursday, March 17, 2011

Good Friday shall be EPIC this year.

Besides ad orientem (Which we always did) and communion at the rail (Which we did the last two years and, with communion at all the masses now given at the rail, will be done this year, the service is going to be celebrated by a bishop. Yup, a pontifical service.

AND,

Instead of doing the gregorian chanted passion, we will be doing Victoria's. It's as if Our Lord heard my longing cries last year and resolved to bring me some consolation. Felice Anrio's gradual Christus Factus est, Victoria reproaches and good motets as usual (Adoramus te Christe, Dubois, O bone Jesu, Palestrina, Ave verum corpus, Byrd, the Royal Banners forward go (Congregational hymn.)

Also for Holy week, we'll be doing a setting of My Song is Love Unknown. I'll probably cry a bit during it, seeing as it reminds me of dad, and the text ought to be enough to make one cry. A lovely soprano descant, a choral verse, a tenor/bass verse, a verse with alternate harmony, it'll all be great. We're doing the Palestrina O Crux Ave too.

So yes, I'm a happy chorister. <3

Tuesday, February 22, 2011

A Proper Procession.

Who says Catholic's can't sing? You just have to give them the right music.

The procession form the high mass of the patronal feast day of Our Lady of Lourdes Parish, Philadelphia.

Oh yeah, just listen to those bombardes and chamades. Go ahead, be jealous. <3

Thursday, September 30, 2010

THE CHOIR II.

At practice tonight, we went over the Haydyn gloria again, as well as the Mozart Laudate Dominum (Which I don't know) and Tallis' If Ye Love Me. (Which I do know.) Also, the two hymns we're doing were gone over. We're doing something to 'Vigiles et Sancti', and we're doing the Vaugn-Williams setting of 'All People That on Earth Do Dwell'. I love the third verse of this. Moving the melody to the tenor and having the sopranos and altos sing alternate harmonies is wonderful.

From all appearances, the Red Mass is going to be a musical feast. It's next Monday at 5:15 at the Cathedral of Ss. Peter and Paul, if anyone wants to come.

Sunday, September 19, 2010

Ritual Notes.

For the 25th Sunday of the Year. Choir season has begun, so I'll have to get started on these (Though I'm sure that 0.000001 percent of people who come across this place have any remote interest in them)

Anyway, either it was providential or planned, but all but one of the hymns sung at mass today were either written by Anglicans, former Anglicans, or were sung to tunes written by men who composed for the Church of England. (Eg.,Parry) Those hymns were Lord, You Send the Great Comission (to 'Rustington'), Draw Nigh, and Take the Body of The Lord (to Coena Domini) and the National Anthem, Holy God, we Praise thy Name (To 'Grosser Gott', with the repeats, naturally.)
There was something else, but I forget what it was. Everything else was standard ordinary time music (Orbis Factor, credo II, etc.) But it was nice to see a the gospel and the final blessing that the second chant given for the versicles was used. I like those a lot better than the common tones, but we almost never use them. Also, our community superior, Fr.Matthew celebrated the mass today. It's the third week in a row that he's celebrated the 10:30 Latin mass. <3

Sunday, June 6, 2010

Ritual Notes. (Corpus Christi)



 (A photo of the procession form a few years ago.)

Music:

Entrance: Alleluia!, sing to Jesus!

Mass setting (Except gloria) Missa de angelis.

Gloria: Missa Secunda, Hans Leo Hassler

Alleluia: Mode 7, graduale simplex.

Credo: Credo III

Offertory: Ave verum corpus,W.A.Mozart,O food of exiles lowly. (Innsbruck.)

Communion: Proper chant, O sacrum convivium, Palestrina

During the procession:

Of the Glorious Body Telling

Fairest Lord Jesus

As thou at thy first eucharist didst pray

To Jesus Christ our sovereign king

Soul of my Saviour

Pange lingua gloriosi

Recessional: Holy God, we praise thy name! (Grosser Gott)

Today was an interesting day. And by 'interesting', I mean "It was nearly 100 degrees and we still did an outdoor procession in the blazing hot sun."

Things went well considering the circumstances. Nine servers who I was counting on didn't show up, which meant some improvising. We ended up with :Crucifer, two acolytes, thurifer, second thurifer, and four torchbearers.
The opening procession went the long way from the sacristy to the sanctuary . I expected the mass to be in English, facing the people, but it was said in Latin, ad orientem. After the collect, the readings (this year is always my favourite year of the lectionary cycle for Corpus Christi.) and the psalm, the sequence Lauda Sion was sung, and then the alleluia.Everything else proceeded as we normally do at solemn mass, including communion at the altar rail. After communion, the torchbearers went to the sacristy. After the ablutions, the thurifers went to the sacristy. After the postcommunion prayer was sung, the celebrant changed to a cope and stole, the torchbearers knelt at the communion rail, and the thurifers had incense laid on and blessed. The celebrant intoned the 'Pange Lingua', and the procession went out and around the neighborhood, with the blessed sacrament under the canopy and two girls scattering rose petals before it. There were three benediction stations, and a fourth at the church.It was kind of fun that the procession passed Holy Cross Baptist church, where some close friends of my family attend. Quite a few of the people stood outside and watched the procession, some took photos. 

Now, thanks to the Wonderful city of Philadelphia, mostly thanks to PGW, there are no corners on any of the blocks near the church. They've been dug up, and the sidewalks cordoned off. Which meant that after the benediction station at the parish school, we had a some trouble trying to get back to the church. After the final benediction and the recessional, I was too busy trying to remove the two extra layers of clothing that the cassock and surplice make to listen to postlude, but I did hear the chamades in the organ chorus and the 32' Double Ophicleide.


Wednesday, May 26, 2010

Interesting.

Look at This, 

and then look at This.

This is about the third time that I found that the fabric of a set of vestments at my parish was also used in vestments for another rite.More specifically, the last two were Russian, and the other one Ukrainian. 

Sunday, April 4, 2010

Ritual Notes.

For the Vigil and first solemn mass of Easter.

Music: (Basically the same as last year. Yay copy/paste!

Psalms and canticles after the readings:The Canticle of Moses, sung to the gregorian tone 2.d. The Canticle of Isaiah, sung to tone 8.c. Psalm 19, sung to tone 2.d Psalm 42, sung to tone 7.d.

Gloria: 'Little organ mass', Franz Josef Haydn

Alleluia:Roman Gradual and psalm 118 in English.

At the baptisms: Faith,Hope, and Love, Alexander Peloquin.

Renewal of baptismal promises and sprinkling: Sicut Cervus, G.P. da Palestrina

Offertory: Cantique de Jean Racine, Gabriel Faure. Organ improvisation.

Communion: Proper antiphon and psalm,Hymn: The Strife is O'er, Ego sum Panis Vivus, Josef Surzynski.

Antiphon to Our Lady: Regina Caeli, Gregor Aichinger

Recessional: Jesus Christ is Ris'n today.

Postlude. Prelude and Fugue in C major, BWV 549.


There were to have been four servers, but one is away in Mexico, so one of the brothers stepped in as thurifer. Besides the celebrant, there were four concelebrants, all in gold gothic chasbles. Albs and surplices edged with lace were also worn by some.

The blessing of the Easter fire took place outside of the door of one of the transepts of the church. After it was blessed and incense laid on, the procession went into the church and down the side aisle, then up the center aisle, with the celebrant stopping to chant the invitation 'light of Christ' with the response three times, in successively higher tones. The exultet was sung beautifully by one of the concelebrants. The vigil then proceeded.
All seven readings were read, with psalms chanted after the third, fifth, sixth, and seventh readings. The collects were sung after each reading.

Then the gloria was sung, the church bells and sanctuary bells rung, and the altar candles lighted.After the epistle was read,the alleluia was solemnly intoned (The traditional mode 8 alleluia, Roman Gradual) in successively higher tones, with psalm 118 sung to tone 8.G*. The gospel was sung by one of the concelebrant, and what's probably now the most memorable Easter vigil sermon ever was preached.

AT the baptisms (And there were many, praise God!) those to be baptised went in procession to the font while the litany of the saints was sung.The font was solemnly blessed, and those to be baptised were baptised while the canticle was sung.After the baptisms, the Baptismal promises were renewed, and the celebrant, assisted by the M.C., sprinkled the people with holy water, using the traditional bundle of hyssop rather than the aspergil.
After the intercessions, mass continued as usual.

The mass was celebrated ad orientem.Communion was given at the rail once again. I think I should now retract my long-held opinion on communion kneeling. (That all those stories about people being receptive to communion kneeling were just platitudes and useless or false anecdotes.) Throughout the triduum, even though they were not required to kneel or receive on the tongue, almost everyone did so any way.The exceptions were in the single digits.
After communion, the post-communion was sung, as well as the blessing and solemn dismissal.The antiphon to Our Lady was sung before the recessional. It was wonderful to hear the pedal reeds again in the prelude, after weeks of absence, especially the 32' Double Ophicleide in the fugue.
After mass, there was cake and champagne in the parish hall, in the crypt of the church.

Saturday, April 3, 2010

Ritual Notes.


Music:

Gradual: Christus Factus est, Felice Anerio

Tract:Psalm 33, chanted in English to a Gregorian tone, alternating between the men and women of the choir.

Passion: Roman chant, adapted to English

Veneration of the cross: Reproaches, Vittoria. Crux Fidelis/Pange Lingua...Certaminis, Roman Gradual.

Procession of the Blessed Sacrament: O crux Ave, G.P. Da Palestrina

Communion: Hymn: The Royal Banner Forward Go, Adoramus te Christe, Dubois.

For Good Friday.There were three servers , the M.C., and three priests in choir, all wearing plain surplices.The celebrant wore the same roman chasuble, stole and maniple as on Palm Sunday. After the prostration, the collect was said, and then the readings read by a reader. After the gradual and tract, the passion was chanted to the traditional Roman tones by the Celebrant (taking the part of Christ) and two men from the choir. The final verses were sung to the traditional 'burial tone'. The homily was given by Fr.Brennan, one of the priests who helps out at the parish.(He also helps by celebrating the tridentine low mass on Sundays.)

After the sermon, the solemn collects were sung by the celebrant in a ferial tone, with everyone kneeling or standing as appropriate.Afterward, the cross was brought to the sanctuary by one of the servers, while the other two held candles. The celebrant sang the invitation "This is the wood of the cross" three times, in successively higher tones as he uncovered the cross,and all genuflected toward it. The servers took the cross to the footpace of the altar.The celebrant then removed his shoes and chasuble, and after genuflecting three times, venerated the cross. The three priests in choir came into the sanctuary and after genuflecting, venerated it as well.Then the cross was taken to the the sanctuary gates and venerated by the people. Almost everyone (Really, there were only two exceptions) venerated it by genuflecting and then kneeling and kissing the cross. While this happened,two of the brothers covered the altar with an altar cloth and put the missal on it.

The servers, M.C. and priest went to the altar of repose to bring the Blessed Sacrament to the altar. After putting on the humeral veil, the celebrant carried the Blessed Sacrament in procession to the altar.The servers put the two candles on the altar. The Our Father was sung, and after the celebrant's communion, communion was given at the altar rail by the celebrant and one of the assisting priests.After the purification of the vessels and the priests' hands, the postcommunion was sung, and then the prayer over the people. The servers and M.C. went to the sacristy by the short route, and the parish's relics of the True Cross and the Crown of Thorns were available for veneration at the altar rail.Most people came and knelt down to kiss the relics.

Photos: 1, 2, 3, 4, 5, 6, 7, 8

Friday, April 2, 2010

Ritual Notes.


For Maundy Thursday.

Music:

Kyrie and gloria: Community Mass, R.Proulx.

Psalm:Gregorian psalm tone, alternating between male and female voices of the choir.

Tract: Set to Kyrie Orbis Factor.

Antiphons at the maundy: Antiphons from the Roman Gradual. (Postquam surrexit Dominus,  Domine,tu mihi lavas pedes,  Si ego Dominus, In hoc cognoscet omnes,  Mandatum novum da nobis.) Antiphons, choral setting by Gregory A.Glenn.

Offertory: Ubi Caritas, Maurice Durufle. Hymn: Lord,Who at Thy First Eucharist Didst Pray. (Unde et Memores)

Sanctus: Missa Iubilate Deo

Agnus Dei: Holy Cross Mass, David Isele.

Communion: Proper antiphon and psalm, adapted to English. Hymn: O Food of Exiles lowly. (Innsbruck)

Procession to the altar of repose: Pange Lingua Gloriosi, Roman Gradual.

There were nine servers: Crucifer and two acolytes, thurifer and boat-bearer, and four torches. Besides the celebrant, there were four concelebrants (all wearing birettas) and the M.C., the 12 'apostles', five Bernadettes (from the parish girls' society) some Knights of Columbus,one of the Knights of Malta, and the brothers who weren't serving.

This mass was celebrated Ad orientem, and the altar was incensed* facing that direction.After the sign of the cross, before the confiteor and kyrie,the bernadettes presented flowers to all the priests present.The collects was sung, and the mass went on as usual. At the gloria, the organist played a short but very nice fanfare, and bells were rung by two alternating servers on opposite sides of the sanctuary.Before the tract, incense was blessed at the sedilia, and the procession went lined up with the homilist, who also proclaimed the gospel. At the maundy, the 12 men who had their feet washed were led by one of the brothers, the celebrant having removed his chasuble.After the intercessions, the celebrant explained why the priest would be facing ad orientem, and he also explained that communion would be given at the altar rail.All were given the option to receive standing or kneeling, and to receive on the hand on on the tongue, both according to their preference.

At the offertory, the holy oils were brought up by the bernadettes and put into the aumbry in the side wall of the sanctuary by the celebrant and the M.C. The missal was removed from the altar during the incensation, as is now the custom at high masses, and after the celebrant was incensed, the concelebrating priests were incensed, followed by the M.C. and the people.The sanctuary gates were closed at the orate fratres.The super oblata, sursum corda and preface were sung, and the Roman Canon was used.At the elevations, the Blessed Sacrament was incensed from the side pf the bottom step, and the M.C. lifted the celebrant's chasuble.The crotalus replaced the bells.

After the per ipsum was sung,the Our Father was sung.Before the people's communion, the crotalus once again replaced the bells. Communion was given at the rail, with the M.C. holding one paten and a server the other.The vast majority of the people seem to have knelt anyway, despite the fact that they were given the option to stand.Most of those who knelt also received communion on the tongue, rather than the hand.

After the ablutions, the ciborium was veiled and the missal and chalice removed from the altar.After the post-communion prayer was sung,the celebrant changed from a white chasuble to a gold cope. Incense was blessed again, and the Blessed Sacrament incensed before the procession.The celebrant received the humeral veil from the M.C., and the torchbearers with their torches lined up with everyone who took part in the short procession from the sacristy before mass.The procession made a circuit around the church before going to the altar of repose, where the veiled urn was surrounded by a great many candles and flowers.After the Blessed Sacrament was incensed again, all genuflected and went to the sacristy.

The altars of the church were all stripped while the men of the choir chanted psalm 22 in latin, recto tono, with the antiphon diviserunt sibi.

The watch continued to midnight, and all departed in silence.

Photos: 1,2,3,4,5

Sunday, March 14, 2010

I'm getting impatient.

The perpetual adoration chapel at my parish has been under renovation for the past two months or so. At first, it was just going to be some new marble flooring in place of the carpet. Then, someone suggested a vestibule be added. Last I heard, it turned into making the chapel look the way it might have looked 100 years or so ago, when the parish was built. I don't know exactly what that means, but considering what they were able to do with the upper church (which used to look like this, but now looks like this) I hope it'll look nice.
I just wish they hadn't done it now. I was planning to make a visit to the Blessed Sacrament on evenings during Lent, but that's not happening now.
Anyway, it used to look like this.Who knows what it'll look like when it's done. Of course, the server's sacristy is right next to the chapel, and the door between them has the lock on our side, so I could always peek. But that might be evil or something.

Monday, February 22, 2010

GO HERE.

Here, and Here, and Here, For pictures of our Patronal festival. Because of the snow, the reception had to be canceled though.But considering there was FOUR FEET of snow on the ground,I'm glad we got some people.

Tuesday, February 9, 2010

*Sigh*

We would, after already getting 28 inches of snow on Saturday, get two more feet The Day Before our patronal festival. Hopefully things will go well.

Monday, February 1, 2010

Practice went well.


I'm glad.Though the boat bearer didn't show, and I'll probably want to explain some things to him later.Boat bearer is of course, a rather difficult and complicated job.You know, you have to follow the thurifer around just holding something and standing there for a while.It's easy to get confused!

And the torchbearers from midnight mass won't be torchbearers for the feast day.They'll be 'in choro'.